Marozzo Swordplay

Wednesday, July 9, 2008

Marozzo Swordplay

L'arte de l'Armi by Achille Marozzo, 1536 f


L'arte de l'Armi by Achille Marozzo, 1536


L'arte de l'Armi by Achille Marozzo, 1536 a


L'arte de l'Armi by Achille Marozzo, 1536 b


L'arte de l'Armi by Achille Marozzo, 1536 c


L'arte de l'Armi by Achille Marozzo, 1536 d


L'arte de l'Armi by Achille Marozzo, 1536 g


L'arte de l'Armi by Achille Marozzo, 1536 h


L'arte de l'Armi by Achille Marozzo, 1536 j


L'arte de l'Armi by Achille Marozzo, 1536 k


L'arte de l'Armi by Achille Marozzo, 1536 l


L'arte de l'Armi by Achille Marozzo, 1536 m


L'arte de l'Armi by Achille Marozzo, 1536 n


L'arte de l'Armi by Achille Marozzo, 1536 o


L'arte de l'Armi by Achille Marozzo, 1536 p


L'arte de l'Armi by Achille Marozzo, 1536 q


Fencing master, Achille Marozzo (1483-1553), was the most prominent and influential champion of the Dardi school of swordsmanship, which emerged in Bologna during the Renaissance.

Lippo di Bartolomeo Dardi's system of single-handed sword techniques bridged the gap between the cruder medieval cutting and slashing style and the nimble and more technically inclined thrusting methods associated with the rapier. The latter system would come to dominate fencing in the 17th and 18th centuries.

It has been suggested in the comments below (and in another of the fencing posts on BibliOdyssey) that the differences between the sword -vs- rapier in terms of ease of manoeuvrability and range of offensive techniques that could be undertaken with each has traditionally been overstated. In other words, it's asserted that the rapier is not more agile, it was just a different, newer weapon.

Dardi (or Bardi) had established an academy early in the 15th century in Bologna and although no surviving treatise of his is thought to exist, his combat strategies were passed down through students and Marozzo published the definitive record of the school's principles in his 1536 book, 'Opera Nova dell'Arte delle Armi' (~new work on the art of arms).

Marozzo's 'Opera Nova' was the most important fencing manual of the 16th century and the first serious work to establish uniform rules for the use of weapons. It outlines theoretical considerations (derived from Aristotle, no less) and provides practical direction for both defensive and offensive use of swords, daggers and polearms in varying combinations, as well as the role of shields, bucklers and capes. There is a whole chapter devoted to honour, such were the noble aspirations of the project.

Further editions of 'Opera Nova' were published up until 1615 and the treatise continues to be used as a primary source in fencing academy instruction today. It is not the only reference publication in respect of the Bologna School, as contemporary works by Manciolino, Viggiani and Dall’Agocchie are also regarded as important ancillary commentaries.

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